Susanne Roewer Germany, b. 1971

Berlin Art Week 2024
Jay Gard
Tamara Kvesitadze
Susanne Roewer
Coral Lambert

Tammam Azzam, Elvira Bach, Stéphane Couturier, Nick Dawes, Paris Giachoustidis, Hubertus Hamm, Natela Iankoshvili, Rusudan Khizanishvili, Franziska Klotz, Tamara Kvesitadze, Christopher Lehmpfuhl, David Meskhi, Susanne Roewer, Hubert Scheibl, Martin Spengler, Jan Tichy, Ivana de Vivanco
Galerie Kornfeld is delighted to announce it's ten year anniversary exhibition, wich will feature the artists that have come along with us through the decade. The anniversary exhibition will reveal touching glimpses of the past and the future, sensitive and exciting exchanges between first artistic attempts and more mature works. The works on show hint at inner struggle and transformation, the eternal search for what is hidden behind the visible.

“Make it your own story” – the title of the exhibition is a call for participation. A work of art can only unfold its power and affect the viewer as long as it is perceived, thus becoming part of one’s own story.
Susanne Roewer and Hubertus Hamm are highly interested in materials and their distinctive properties. Deliberate yet playful, they consciously shape the different materials, putting the latter’s specific traits at the service of their art.

Nick Dawes creates complex colour arrangements with fluid forms and thus pursues a new quality of painterly abstraction. The ostensibly impulsive painterly gestures of his paintings are, however, achieved by an exact plan that leaves almost nothing to chance. The artist distils abstract forms from the formal particularities of road signs or other sign-like quotidian objects, which he then captures as pencil drawings and transfers to the canvas with thinned poured oil paint. In Susanne Roewer’s works, glass joins silver-plated bronze to such an extent that the transparent glass corpus adapts to the solid metal and thus reflects on its own process of formation. The glass is blown in temperatures over 1000 °C and shaped on the bronze corpus, and in its amorphous structure adjusts to the metal.

Theo Balden, Fritz Cremer, Elmgreen & Dragset, Sonja Eschefeld, Wieland Förster, Katharina Gerold, Clemens Gröszer, Sabina Grzimek, Michael Jastram, Siegfried Krepp, Tamara Kvesitadze, Will Lammert, Johannes Lauter, Jeanne Mammen, Margret Middell, Emerita Pansowová, Alexander Polzin, Susanne Rast, Susanne Roewer, Father Raphael Statt, Rolf Szymanski, Evelyn Weinzierl, Trak Wendisch, Berndt Wilde, Dirk Wunderlich
The objects of the exhibition Lebensguss ("Life Casting") | Marc Krepp were created without exception in the studio of Marc Krepp. The studio was founded by Krepp in the early 1980s in Berlin-Weissensee, and he continues to lead it to this day, exemplifying ceaseless creativity. Following a family tradition which emanates from his father Siegfried Krepp, a Berlin based sculptor, and which is also currently being furthered by his daughter Michéle.

Susanne Roewer’s works combine the artist’s intense interest in materials with an artistic sensibility and conceptual wit. Her sometimes extensive research and observations lead her to historical figures and events, folk art and old fables, but also to current socio-political debates and events. The diversity of the themes reveals the contemporary in the historical, and returns that which is seemingly past back to the present. The humorous titles contrast with the seriousness of the works: the artist thereby challenges the spectator to follow her into the alternative universes of her art.

Stéphane Couturier, Hubertus Hamm, Bertram Hasenauer, Natela Iankoshvili, Franziska Klotz, Tamara Kvesitadze, Christopher Lempfuhl, Olivia Mc Gilchrist, Anne Pantillon, Sandeep Mukherjee, Alexander Polzin, Susanne Roewer, Sonny Sanjay Vadgama
At a “Supper Club”, people who have generally never met before, get together in their host’s private rooms, where they are wined and dined with a self-prepared culinary menu. The idea of different people and cultures coming together through a shared interest is the inspiration for the group exhibition “Supper Club” that kick-starts the year 2017 at Galerie Kornfeld. We invited gallery artists, as well as exciting guest artists, to bring along one or two works as gifts for this exhibition, which unites a variety of artistic forms under one thematic framework.

Maliheh Afnan, Robert Fry, Hubertus Hamm, Franziska Klotz, Tamara Kvesitadze, Alexander Polzin, Susanne Roewer, Hubert Scheibl, Leonardo Silaghi, Jan Tichy, Sonny Sanjay Vadgama
The exhibition “Paper Plains” will show a wide spectrum of techniques to working on paper, including etchings, prints, photographs, drawings and paintings. It brings together established artists with young emerging producers, tracing the significance of this simultaneously ancient and contemporary medium.
In a rapidly digitalising (art)world with the means to print perfect 3D sculptures, generate slick flawless imagery on photoshop and immaterial artworks making their way into galleries, it is curious to witness the return of paper as an important medium for artists.

Robert Fry, Voldemars Johansons, Franziska Klotz, Christian Pilz, Alexander Polzin, Susanne Roewer and Michael Wutz
Drawing, as the origin of all graphic arts, is one of the oldest cultural techniques of humanity. The drawing, which can be implemented with simple technical means, is still the medium that gives the most direct expression to the ideas of artists. As a sketch, a study or preliminary drawing, it helps both in the transformation of what has been seen into an aesthetic form, as well as in the development of ambitious compositions. Etching and other graphic reproduction techniques developed over the centuries, and were initially intended to reproduce the ideas held in a drawing in order to share them with fellow artists and an ever-growing circle of interested people.

Susanne Roewer's sculptures and paintings play with representational motifs and combine a variety of different materials. The artist borrows from the natural sciences to give material expression to her ideas and thoughts.
The dark time at the end of the year, decorated with special lights, is a time for review. What was the flood of images and experiences that washed up over the year? What was swept away, and what was destroyed? Some things glow more than before in the darkness, but closer inspection also reveals cracks, dents, holes.