Overview

Kimia Ferdowsi Kline (b. 1984, Nashville, Tennessee, USA) is an Iranian-American painter based in New York whose work brings together figuration, memory, intimacy, and mythic atmosphere. Trained at Washington University in St. Louis and later at the San Francisco Institute, where she completed her MFA in visual arts in 2011, Kline develops paintings that move between personal experience and broader cultural memory, often through images that feel emotionally direct yet deliberately unresolved.

 

Her practice is shaped by the tension between softness and insistence: figures, gestures, and symbolic forms appear within compositions that suggest inner states as much as external scenes. Across her work, the body becomes a site for reflection on love, vulnerability, transformation, and the persistence of image-making as a way of thinking through experience. Kimia Ferdowsi Kline has mounted solo exhibitions at Turn Gallery in New York, Marrow Gallery in San Francisco, and The Elaine L. Jacobs Gallery at Wayne State University in Detroit.

 

She was resident artist at 68projects in Berlin in September 2017 and later appeared in the residency exhibition We might not have a planet left soon at 68projects by KORNFELD Galerie Berlin.

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Biography

Kimia Ferdowsi Kline (b. 1984, Nashville, Tennessee, USA) is an Iranian-American artist based in New York. She earned a BFA in painting from Washington University in St. Louis and completed her MFA in visual arts at the San Francisco Art Institute in 2011. Her practice has developed across painting and related image-based forms, with a sustained interest in how emotional states, memory, and intimacy can be held within a figurative language that remains open, ambiguous, and psychologically charged.

 

Kline's paintings move between the personal and the symbolic without resolving the tension between them. Figures and motifs appear in ways that feel tender but never fixed, allowing the work to shift between portraiture, myth, and inward reflection. Rather than treating narrative as illustration, she uses it as a pressure within the image, so that meaning emerges through atmosphere, gesture, and relation. The work carries a classical clarity in its presentation while remaining visibly contemporary in its looseness and vulnerability. This balance gives her paintings a sense of emotional immediacy without reducing them to autobiography. Her work has been discussed in publications including HyperallergicIt's Nice That, and Cultured Mag, and she curates the permanent art collection of the Wythe Hotel in Brooklyn.

 

In September 2017, Kimia Ferdowsi Kline was resident artist at 68projects by KORNFELD Galerie Berlin. That same year, her work was included in the group exhibition We might not have a planet left soon at 68projects, curated by artist and curator Adrianne Rubenstein during Gallery Weekend Berlin. The exhibition brought together nine painters working through abstraction, figuration, and the emotional weight of image-making at a moment of collective uncertainty. Later, in November 2017, Kline participated in the two-person exhibition Soul Mate at 68projects, alongside Iranian-Danish artist Farshad Farzankia, a presentation that explored how figurative painting holds resonance across social and personal contexts, and how the personal becomes political through charged emotional tensions between figures. She also appeared in the anniversary group exhibition Berlin on my Mind. Celebrating 10 Years of Artistic Residency at 68projects by KORNFELD (21 June to 24 August 2024). Her practice continues to unfold as a searching and formally sensitive engagement with the figure, memory, and the emotional architecture of painting.

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